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・ Torre de Belén
・ Torre de Cerredo
・ Torre de Collserola
・ Torre de Cristal
・ Torre de Cristal (Madrid)
・ Torre de Don Miguel
・ Torre de Dona Chama
・ Torre de Esgueva
・ Torre de Francia
・ Torre de Herveo
・ Torre de Juan Abad
・ Torre de la Escollera
・ Torre de la Horadada
・ Torre de La Libertad
・ Torre de la Malmuerta
Torre de la Parada
・ Torre de la Plata
・ Torre de las Arcas
・ Torre de los Adalides
・ Torre de Madrid
・ Torre de Manila
・ Torre de Miguel Sesmero
・ Torre de Moncorvo
・ Torre de Pedra
・ Torre de Pedro-Sem
・ Torre de Peñafiel
・ Torre de San Martín
・ Torre de Santa María
・ Torre de' Busi
・ Torre de' Negri


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Torre de la Parada : ウィキペディア英語版
Torre de la Parada


The Torre de la Parada is a former hunting lodge that was located in present-day Monte de El Pardo in Fuencarral-El Pardo, near the Royal Palace of El Pardo, some way outside Madrid in the Sierra de Guadarrama. It was mostly destroyed by fire when taken in 1714 by Austrian troops in the War of Spanish Succession, though the ruins remain.〔(Aerial photo from El Pardo site )〕
==History==
It was first built in 1547-49, with Luis de Vega as architect. During the years 1635–40 it was a site for a major architectural and decorative project by King Philip IV of Spain who was a great hunting enthusiast. He commissioned the Spanish architect Juan Gómez de Mora to renovate it in 1636, and had it decorated by leading painters, including Rubens and Velázquez, who contributed some of his "jester" portraits, including ''The Jester Don John of Austria'', ''The Jester Don Diego de Acedo'', ''Portrait of Francisco Lezcano'' and ''Portrait of Pablo de Valladolid''.〔Tinterow, nos. 72, 73, 75〕 His ''Aesop'' and ''Menippus'' are also thought to have been intended for the lodge, as well as several of his well-known portraits of the royal family relaxed in hunting or riding clothes, including ''Prince Balthasar Charles as a Hunter''.
Rubens was commissioned in 1636 to produce sixty mythological paintings, which he managed to do in about 18 months, assisted by Jacob Jordaens, Cornelis de Vos, Pieter Snayers, Thomas Willeboirts Bosschaert, Theodoor van Thulden, Jan Boeckhorst and others, working to his designs. Forty of the paintings survive, as well as many of Rubens' oil sketches and drawings.〔Prado〕 Most of all these works are in the Prado in Madrid.
The best paintings were later moved elsewhere, especially in 1710, but in 1806 a travel book describes paintings by the Flemish painters Paul de Vos, Erasmus Quellinus II, Thomas Willeboirts Bosschaert, Jan Cossiers, and "Yoris" (possibly Joris van Son who worked with Erasmus Quellinus).〔(A view of Spain: comprising a descriptive itinerary Vol. III ) by Alexandre de Laborde, 1806〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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